Yoga Play takes a witty, thought-provoking look at the clash between personal authenticity and corporate greed in a world where values are often overshadowed by profits and stock prices.

The play captivates its audience from the get-go, opening with a strong video call scene that introduces us to Joan, an ambitious new CEO of a yoga apparel company. Faced with a PR crisis, Joan scrambles to prove the company’s authenticity by flying in a guru from the birthplace of yoga. Fred and Raj, two employees add layers to the narrative as they face their own challenges amidst the “Guru hunt,” trying to secure their positions within the company.

The first half of the play unfolds at a measured pace, setting the stage for a  second act that delivers both laughs and contemplation.

The comedic moments, particularly the satirical one-liners, resonate well and scenes like dream time and yoga sessions with Ramola and Raj bring the energy and laughter. However, the play occasionally veers into uncomfortable territory with jokes about Indian accents, particularly when these accents feel exaggerated and inauthentic. Raj’s mother, despite having lived in the US for decades, is portrayed with an overdone accent, seemingly for comedic effect.

Dipika Guha’s script effectively lays bare human vulnerability and prompts introspection about personal authenticity. However, some characters would benefit from further development. Director Mina Morita has skillfully brought the script to life, showcasing the ups and downs of each character capturing the essence of the play.

Ramola’s character stands out as both well-written and well-acted by Camilla Ponte Alvarez. Andrea Moor shines as Joan with grace and determination, effectively conveying her desperation to succeed. Jemwel Danao brings an ease to the stage, impressing with his impeccable comic timing, while Raj’s character played by Nat Jobe exhibits notable highs and lows, culminating in a poignant final scene. The casting of the guru, Thomas Larkin, was spot-on, with technical elements enhancing his presence on stage.

The set design by James Lew is chic, utilising pebble pillows to impressive effect. Wil Hughes’ sound design, effect and lighting by Kate Baldwin significantly enhance the production, standing out as key highlights.

Overall, Yoga Play is an enjoyable experience that combines humour, satire, and a deeper reflection on the search for authenticity in a capitalist world.

The National Theatre of Parramatta has once again delivered a top-notch production that deserves to be seen by a wider audience.